Both Rex and Rob Ryan are known to use the Bear front, otherwise known as the double eagle, and in its 1985 incarnation, the 46, and  in preseason week 1 year 2011, both brothers flashed some double eagle with 8 man line.

The image above is the most famous Bear of the night, as Jon Gruden mentioned it, but  the very next play featured a Bear with a flexed nose tackle.

Rob’s double eagle had 5 down linemen instead of 6, but the 6 players along the line, and two players at linebacker depth and over the tackle leads me to designate this the first Bear the Cowboys have run under Rob Ryan.

It’s a short book, very much an outline as much as it is anything, and that is both this book’s blessing and curse. It’s a blessing because it’s packed with ideas, and it’s something of a curse in that the details of implementation are often left up to the reader. For the fan, it’s perhaps an easier read than Ron Vanderlinden’s tome, and so I think much more suitable for the curious but casual fan of defensive technique.

For those who aren’t familiar with the double eagle flex, it’s worthwhile noting  that this is an 8 in the box defense closely related to the 46 employed by the Ryan family. There are 5 men along the line, including one flexed 3 technique tackle. The strong safety, or rover, is a hybrid player, and I’ve depicted him below as a linebacker. But much like many run oriented modern defenses, this player has to both play linebacker technique and also defend the pass.

It wouldn’t be a recent review on “Code and Football” if we didn’t provide the reader with a diagram, so this is my representation of the Double Eagle versus the Ace formation, three wide.

Ace formation versus double eagle flex. High School field. DBs funnel receivers into FS.

Note that both the boundary corner and the rover are supposed to funnel their men into the free safety.

The book is 98 pages long, packed with shifts, mods, stunts, all described in that  brief synoptic style.

This is the  third of a series on drawing football diagrams, and this time we’ll be talking about drawing the defensive side of the ball. For now, we’re going to have the offense going “up” the image and the defense going “down” the image. It’s easy enough to invert. Draw the offense the way we show in Part 2, rotate the result by 180 degrees, and then add your defensive players. In the old days, the defense was indicated with triangles. Most football bloggers, however, like to use fonts with names on them for the defense. The problem with fonts is that fonts are often tied to an operating system, so using them well requires some familiarity with font families. A good introduction to font families is here. And to note, Helvetica is installed as part of Image Magick, so if you want a no nonsense solution that should just work, set your font to “Helvetica-Bold”.

Since we are using Image Magick to generate our graphics, we can add color at will to our diagrams, and so one convention we’re going to follow for now is to use shape and color to distinguish offense from defense. offenses will be in white, defenses in yellow. Other conventions we could use are:

  • Using different shapes for linemen, linebackers, and defensive backs.
  • Tilting the defensive symbol to indicate a slanted lineman.
  • Shading the offensive lineman to indicate a shaded orientation on the  part of the defensive player.

For now, we’re going to use this image as the basis for our defenses. We’ve spoken about the Desert Swarm, a kind of double eagle defense, here.

Arizona versus Washington, 1992. I formation versus Desert Swarm. Whip (flex tackle) on TE side of formation..

And these are our attempts to duplicate that photograph. Obviously one corner and the free safety position are a product of speculation.

Defense in yellow, using symbols. Slant lineman denoted by tilt of triangles.

This graphic is a text based representation of the defense.

Helvetica-Bold is the font used here.

The images as displayed above are about 3/4 their actual size, so double click on them to see a full sized image (unless you’re using Chrome, in which case you’ll get a huge image).

Font notes:

To list the fonts that Image Magick can use by name, use the command (Win32/64 cmd window or Unix shell):

convert -list font | more

fonts that are not listed here can be accessed by direct path to the font file itself. In Ubuntu/Linux, the Fontmatrix utility can be a big help in seeing which fonts are good and determining the font path.

In this article, the example code is going to be given in Perl, using the Image::Magick module.

Code samples:

Previous parts of this article: